GYEONGSANG DO BANDAJI- 경상도 반닫이

Gyeongsang Do  경상도, also known as Kyongsang-do, was one of the eight provinces of Korea during the Joseon dynasty. This province is located in the southeastern part of the peninsula, with its provincial capital now known as Daegu. The region holds historical significance as the birthplace of the Kingdom of Silla (57 BCE – 935 CE).

Gyeongsang-do adopted its present name in 1314, which is derived from the names of the principal cities Gyeongju (경주) and Sangju (상주). The province is further divided into two sub-regions: Gyeongbuk in the north and Gyeongnam in the south.

Old map of Gyeongsang Do province.
The eight provinces of  Korea during the Joseon dynasty
Location of Gyeongsang Do provine in the Korean peninsula.
Hahoe, Folk village, Andong, Gyeongsang Do province.
This is perhaps the most notable folk village in South Korea.

Gyeongsang-do is renowned for having a diverse array of bandaji, with a noteworthy aspect being their size. When compared to other provinces, bandaji from this region are typically smaller in size. They often feature minimal metalwork decoration to highlight the intricate wood grain patterns. Zelkova wood, known for its rich grain, was widely accessible in this province, but well-grained red pine was also utilized.

These bandaji are among the most sought-after by collectors and are considered some of the most popular types, alongside those from the neighboring Gyeonggi-do and Jeolla-do provinces.

Within the province, there is a noticeable distinction between the northern and southern regions. In the northern areas (Yeocheon, Sangju, Andong, Cheongdo), where the average temperature is lower and winters are longer, thicker clothing is common. Consequently, bandaji in these regions tend to be larger and resemble those from the neighboring province of Jeolla-do. In contrast, the southern part (Miryang, Yangsan, Eonyang, Gimhae, Jinju, Tongyeong, and Namhae) experiences a warmer climate, leading to the production of smaller bandaji.

Since ancient times, it is known that many nobles and wealthy individuals resided in the Gyeongsang-do area. Consequently, numerous chests were utilized for storing books and documents. This is further evidenced by their relatively shallow depth, typically measuring between 30 and 35cm, which distinguishes them from bandaji in other regions, often characterized by greater depth, ranging from 40 to 50cm.

In addition, the proximity of Gyeongsang-do to neighboring regions has resulted in bandaji forms that are occasionally influenced by Jeolla-do or Gangwon-do. Examining various samples reveals that Cheongdo bandaji may exhibit similarities to Gangwon-do bandaji, while Andong Bandaji may bear resemblances to Jeolla-do pieces.

Main Korean furniture production centers in Gyeongsang province.

TYPOLOGY OF THE MAIN BANDAJI STYLES.

In general, Bandaji from the “Gyeongsang” province are smaller in height compared to those from other areas on the Korean peninsula. The width is typically larger. This can be attributed to the region’s southern location, which results in a milder climate and less severe winters. As a result, special attention was given to the selection of wood, as high-quality, nicely-grained woods were readily available locally. Depending on the specific production area, the shape and design of the chests could vary, adding complexity to their study.

Some Bandaji, such as those from Yeongcheon, Sangju, and Andong, featured a minimal number of hinges. In contrast, those from Miryang and Yangsan were much more elaborate and adorned with numerous metal decorations. The metal components were thick and intricately incised with various decorative patterns, including numerous auspicious motifs like finely engraved cicadas, owls, or bats. Popular symbols such as the Manja (卍) and the Taegeukmun (태극문) were also widely used.

Manja – 만자
Taegeukmun – 태극문
SOME DIFFERENT BANDJI FROM GYEONGSANG PROVINCE

THE NORTHERN PARTGYEONBUK.

As mentioned, Bandaji from the northern part of Gyeongsang Do province tend to be larger. The average dimensions are as follows: Height (H) – 60 to 75cm, Width (W) – 85 to 110cm, Depth (D) – 33 to 40cm. These Bandaji are constructed using thick wood panels and are adorned with minimal, simple metalwork fittings without excessive decoration. Here, the emphasis is on simplicity.

SANGJU BANDAJI.
Sangju bandaji.
Red pine wood, iron fittings, oil finish. Probably late 19th century. H. 66cm, W. 116cm, D. 43cm. Private collection.

Bandaji found in the Sangju area are constructed with thick wooden panels, making them quite heavy. They feature limited and simple metalwork decorations. The handles are shaped like bats, and the plates are often plain without intricate decorations or incisions. On the front part, corner plates display flower patterns. In terms of their overall design, these Bandaji tend to be wider than they are tall, and they are primarily made from red pine.

ANDONG & GYEONGJU BANDAJI.

Andong is the capital of North Gyeongsang Province (GYEONBUK). It is renowned as a hub of culture and traditional art. In this region, Bandaji chests have a similar size to those in other parts of the peninsula but are not as tall. The measurements of this chest are as follows: Height: 62cm, Width: 82cm, Depth: 33cm. Constructed with thick red pine wood and covered with a very dark stain, the front design resembles pieces from Gangwon Do Province, with top, side, and bottom panels forming a frame around the front of the chest. The metalwork on it is quite simple, often featuring hinges in the shape of swallowtails, reminiscent of those found on Gochang Bandaji in Jeolla Province.

The accompanying photo displays a Bandaji from Andong, characterized by minimal and straightforward metalwork plates and fittings, without any incised motifs.

Andong bandaji.
Red pine wood, iron fittings oil finish. 19th century. Private collection.

YEONGCHEON BANDAJI.
Yeongcheon Bandaji, Late Joseon Dynasty,
Collection: Busan Metropolitan Museum of Art
Yeongcheon Bandaji, Late Joseon Dynasty.
H. 71,5cm, W. 99cm, D. 44,5cm.
Yecheon bandaji. Pine tree, iron fittings. H. 56,5cm, W. 83,8cm, D. 38,8cm.
With a top plate rising at both ends. The shape of the metalworkis include typical motifs of a turtle in the center and a wine bottle on both sides. Collection: Yecheon Museum.

The most distinctive feature of Yecheon Bandaji is its large turtle-shaped hinge in the center, symbolizing longevity. Additionally, it possesses a unique spatial sense commonly associated with the Jeolla Province. Metalwork decoration is limited to simple flat iron reinforcement corner plates and nails. Another characteristic is the longer, raised top panel on both sides. These chests often stand on intricately designed legs.

CHEONGDO BANDAJI.

Cheongdo Bandaji has the distinct feature of being constructed with a frame similar to those found on Gangwon-do Bandaji. However, the difference lies in the fact that the front surface is flat, unlike the Gangwon-do Bandaji, where the sides protrude from the front surface.

This furniture is also adorned with minimal metal parts, though they are more intricate than the Bandaji of Sangju. Another notable detail is the front part of the cabinet, where the flap covers almost half of the cabinet’s surface.

Cheongdo Bandaji.
H. 55cm, W. 86cm, D. 34cm.
Private collection.

THE SOUTHERN PART PARTGYEONGNAM.

MIRYANG BANDAJI
Miryang bandaji
Very intricate metal work on Miryang bandaji.

Miryang Bandaji, originating from the Miryang and Chinju regions of “Gyeongnam” Province, is typically crafted from red pine. Higher-quality pieces may use zelkova wood.

The standard dimensions of a Miryang bandaji are 50 to 60 cm in height, 65 to 80 cm in width, and 35 to 45 cm in depth. These chests often feature decorative elements, including intricate metalwork, with some areas deliberately left uncovered to showcase the fine wood grain.

As for the metal decorative motifs, there are abbreviated hinges in the shape of “bullocho,” and the straight shapes of the characters 卍 or 亞 are particularly eye-catching.

Among these motifs, many feature flower prints, with the chrysanthemum-shaped lock plate (廣頭釘) being especially ornate. Similar to the Pakchon Bandaji from the northern region of Korea, moon-shaped handle bolts are affixed to the sideboards on both sides of the door plate or to the middle board of the lower part. Pine is the primary material used, while beautiful zelkova wood is often employed for the chest’s front section.

Metalwork on Miryang bandaji features intricate openwork decorations.

Miryang bandaji is highly sought after and increasingly rare to find in its original condition nowadays. These chests are typically small in size, especially compared to other bandaji styles. Despite their abundance of metal decorations, they exude a rustic charm by showcasing the unique patterns of the fine wood grain.

These bandaji often feature four hinges to secure the front panel, and they are elongated with numerous incised motifs. Notably, robust iron hinges with decorative piercing are a distinctive hallmark of Miryang Bandaji. The design of “Manja” 卍 is frequently employed to adorn the front, often with a large metal lock plate and door fittings.

Miryang bandaji. Red pine wood, iron fittings, oil finish.
​H. 83cm, W. 88cm, D. 43.5cm.

Special feature four hinges are placed on the left and right of the central hinge.
Collection of the Folk Museum of Korea.
Central bat-shaped hinge symbolizing good luck
Central “Manja” pattern on the front lock plate.
Bat pattern on the fittings bottom.
Owl at the top of the hinge Bat at the bottom.
Details on fine engravements on metal plates.
Yellow brass was used on decorative side nails.
Miryang bandaji 19th century.
H. 58,2 cm, W. 95,8cm, D. 49,3cm. Korea Cultural Heritage Photography Research Institute
Miryang Bandadi, Late Joseon,
Collection: National Folk Museum of Korea
Miryang bandaji, Late Joseon, Zelkova wood, iron fittings,
oil finish.
Collection: National Folk Museum of Korea.
Miryang Bandaji. H. 71,5cm, W. 98cm, D. 47cm. Collection: National Folk Museum, Seoul.
Miryang bandaji. Unidentified wood, iron fittings.
H. 57cnm W. 95cm, D. 40cm.

Private collection.
Miryang bandaji. Zelkova wood on all sides, iron fittings, oil finish. H. 61cm, W. 100cm, D. 46cm. Private collection in Korea.
Miryang bandaji. Red pine, iron fittings, oil finish. H. 60cm, W. 110cm, D. 42cm.
Private collection.
NAMHAE BANDAJI
Namhae bandaji.
Metalwork shape and motifs of decoration.

Namhae bandaji chests are also characterized by their low and wide dimensions. Metal decorative motifs commonly feature the Taegeuk symbol on the upper part of the hinge, as well as the piercing of the Chinese character 福 on the front surface. The flat corners are often either triangular or occasionally square, featuring wide incisions.

The distinctive feature of Namhae Bandaji is the presence of the “bok” (福), “su” (壽), which symbolize longevity and good fortune, and health signs, often embroidered on the front hinges. The “manja” (卍) design is also typically incised on the front lock plate and the hinges. In addition, the “Taegeuk” pattern is commonly seen on the hinges.

Namhae Bandadi, Late Joseon Dynasty,
National Folk Museum of Korea
Namhae Bandadi, Late Joseon Dynasty, Zelkova wood, iron fittings, oil finish.
Square iron pattern lock plate and fittings engraved with Buddhist motifs.
Collection: National Folk Museum of Korea
TONGYEONG BANDAJI
Tongyeong bandaji.
Manja motif clearly visible on this fitting

In 1995, Chungmu City and Tongyeong County were amalgamated to form the Tongyeong City as it is known today.

Tongyeong and Chungmu bandaji often feature silver components, and the front part is distinguished by its intricate wood texture. The large lock plate is typically fan-shaped and adorned with Yeouiju (여의주) or bat patterns, making it one of the most popular bandaji styles with a “manja” design. The designs of Manja, Yeouiju, and bats are known for their splendid and ornate characteristics.

Tongyeong Bandadi,
Late Joseon Dynasty, dark stain on wood, iron fittings.

Collection: National Folk Museum of Korea
Tongyeong Bandadi,
Late Joseon Dynasty, Red pine wood, iron fittings, oill finish.

Collection: National Folk Museum of Korea
GIMHAE BANDAJI
Gimhae bandaji.
Metalwork shapes and motifs of decoration.

Gimhae Bandaji is distinguished by its lock plates adorned with cloud motifs and intricate swallowtail fittings, all elegantly engraved with stylized Manja motifs. This style is further characterized by the use of brass metalwork on some parts.

Gimhae Bandadi, Late Joseon Dynasty,
Collection: National Folk Museum of Korea
Gimhae bandaji,
Elm wood. Late 19th century.

Collection Gimhae Folk Museum.
Gimhae bandaji. Red pine wood, iron fittings, oil finish.
Late Joseon Dynasty. 19th century.
H. 67cm, W. 85cm, D. 36cm.
Bandaji. Pine wood, iron fittings. late 19th century. Gimhae area. H. 62cm, W. 85cm, D. 35cm.
Collection: National Museum of Korea.
Bandaji. Pine wood, iron & brass fittings. 19th century. Gimhae area. H. 62,1cm, W. 103,7cm, D. 53,9cm.
Collection: National Museum of Korea.
YANGSAN BANDAJI
Yangsan bandaji.
Complex metal work on Yangsan bandaji.

Yangsan Bandaji is renowned as the most popular and expensive type of Bandaji in this province. As depicted in the pictures, typical Gyeongsang-do Bandaji chests are known for their thick and splendid metalwork finely incised with various motifs, including stylized Chinese patterns like double happiness, Manja, and Taegeuk motifs. Their overall shape is low and elongated, making them easily recognizable. These chests are crafted from fine-grained wood such as Zelkova or high-quality red pine.

Yangsan Bandaji bandaji. Elm wood, iron fittings, oil finish. Fine square lock plate and four main hinges holding the opening panel, all finely engraved with double happiness motifs and manja. The chest is reinforced with thick bold joint mount in shape of arrow.
Yangsan Bandaji, Late Joseon Dynasty, On this bandaji, the use of yellow brass on the side nails, corner plates and the pullers was a typical feature on high class bandaji from Gyeongsang province. Seoul Auction
Yangsan Bandaji, Late Joseon Dynasty, Lee Hwaik Gallery
Yangsan Bandaji, Late Joseon Dynasty, Private Collection.
Yangsan Bandaji, Late Joseon Dynasty, Collection: Miribeol Folk Museum.
Yangsan Bandaji, Late Joseon Dynasty.
H. 63,4cm, W. 91,4cm, D. 49cm
. Private collection.
Yangsan Bandaji, Late Joseon Dynasty, Private Collection.
Yangsan Bandaji, Late Joseon Dynasty. 19th century.
H. 57,9cm, W. 91,5cm, D. 44,8cm
.
Collection: National Museum of Korea.
Yangsan bandaji. Pine wood, iron fittings, Late 19th century. H. 58cm, W. 120cm, D. 40cm. Collection: Hwaseong History Museum, Korea.
EONYANG BANDAJI

Compared to other pieces, Eonyang bandaji features relatively limited metalwork decoration.

The Eonyang Bandaji is characterized by its front lock plate in the shape of clouds. However, it stands out due to numerous unique open holes adorned with various auspicious motifs. The hinges (usually 2 to 4 pieces) connecting the door plate and front panel are typically rectangular in shape. Simple C-curve iron handles are affixed, with two on the top opening panel and one at the bottom center of the chest, mounted on small flower plates. Additionally, the corner plates at the bottom of the chest feature a “Gamja” pattern.

Eonyang bandaji. Zelkova wood, iron fittings, oil finish. Late Joseon Dynasty, K Auction
Eonyang Bandaji, Late Joseon Dynasty, Collection: Ulsan Museum
Eonyang bandaji Elm wood, iron fittings, oil finish.
Early 20th century. Collection: Ulsan Daegok Museum.
Eonyang Bandaji, Late Joseon Dynasty,
Private collection.
Simple square lock plate
Central hinge in the shape of a turtle. Bottom plate in the shape of a bat.
Eonyang Bandaji. Zelkova and pine woods, iron fittings, oil finish.
19th century. H. 62cm, W. 95cm, D. 49cm.
K Auction, Seoul, Korea.
JINJU BANDAJI
Jinju bandaji,
Metalwork shapes and motifs of decoration.

In Jinju, the front plate and hinges are adorned with patterns of owls or cicadas. Additionally, the belly button ornaments in Jinju are distinctive for their large, decorative design and are attached to thick, bold star nails. These star nails are a common feature on these chests, typically positioned on the front and sides to serve as pullers. They are also referred to as “diamond” shape nails, which can also be found on Jeju bandaji from the neighboring Jeolla province.

Jinju bandaji. Pine wood, iron fittings, oil finish. Simple and nor excessive metalwork. Nice thick bold star nails under the central puller.
Jinju bandadi, late Joseon Dynasty,
Collection: National Folk Museum of Korea
Jinju bandadi, late Joseon Dynasty,
Collection: National Folk Museum of Korea
Jinju document bandaji.
This fine piece was probably used by a noble. With its shallow depth (30cm), unusual yellow brass fittings. Decorative pattern of the Ruyi motif engraved on the wood itself under the pullers.
At the difference of other traditional furniture from Jinju area, this Book Bandaji is quite high and raised on high legs.
Jinju bandaji . Elm wood, iron fittings, oil finish. Late Joseon Dynasty. 19th century.
H. 55cm, W. 102,5cm, D. 40cm. Private collection in Korea.
This piece is unique first by its dimension, Low and narrow and the three top drawers. It was mainly used to store books and documents. Metalwork design indicate that It is originated from Jinju area. Very rare piece. Private collection.
Jinju bandaji, Pine wood, iron fittings. H. 57cm, W. 97cm, D. 47,5cm. Collection: National Folk Museum, Seoul, Korea.
Jinju bandaji. pine wood, iron fittings.
H. 78cm, W. 114cm, D. 51cm.
Collection: Namgaram Museum, Korea.
Jinju bandaji, Pine wood, iron fittings. H. 57cm, W. 97cm, D. 47,5cm. Collection: National Folk Museum, Seoul, Korea.
“Diamond” shape nails
Front plate. Cicada pattern.
Opening panel fittings. Cicada pattern.

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