“Soban” (Korean: 소반; Hanja: 小盤) are small tray-like tables, typically crafted from wood and commonly used in Korea for serving and dining. Soban tables were designed to be lightweight, making it convenient for women to carry them along with heavy bronze or thick porcelain bowls of food.
The standard dimensions for soban tables are approximately 30 cm in height and 50 cm in width.
Various types of wood were employed in the construction of soban tables, including gingko, pine, zelkova tree, maple, jujube, and linden. Gingko wood, in particular, was favored for its lightness and durability, making it less susceptible to humidity-related issues. These types of wood were sourced from the local areas where carpenters worked.
In some cases, soban tables were also fashioned from zelkova wood, known for its beautiful grain, and pine wood, which was readily available. Pine wood was used to make the legs in particular on Haejuban’s for which side legs were made by carving it. From their primary use as dining tables, soban tables served multiple purposes, such as functioning as writing desks, small altars for prayers, or platforms for burning incense.
Koreans traditionally sit on the floor, which is especially important during harsh winters to stay close to the heated floor. As a result, food had to be transported from the kitchen to various rooms within the house, often involving the crossing of a small yard.
This practice reflects Confucian principles, one of which involves a strict separation of individuals based on age, gender, and social status. Particularly during the Joseon Dynasty (1392-1910), members of the same household each had their own dining table. This explains the small size and personalized design of soban tables, which were intended for individual use. It was common for a household to possess at least two to three different soban tables.
Whether it is the shape of the top, the legs, or the wood used, all these elements vary depending on the region of origin. Soban had distinct regional characteristics depending on the region in which it was produced. In particular, Naju in Jeollanam-do, Tongyeong in Gyeongsangnam-do, and Haeju in Hwanghae-do. The design also depended on their intended use.
TYPES OF SOBAN ACCORDING TO THEIR DESIGN & AREAS OF ORIGIN.
Soban are generally classified in various ways. Commonly, they are referred to by their region of origin. Another standard system classifies them by the shape and number of the legs. The shape of the table’s top (rectangular, circular, octagonal, etc.) is also used as a differentiation factor.
- Iljuban. It is also called a single-legged soban because there is only one column supporting the top. It was designed for use with simple refreshments or fruit rather than meals.
- Punghyeol Gonggo (Funghyeol Gonggo). This soban was made to carry food outdoors or to government offices. There are openings on the sides so that you can see the front when carrying food, and there are handles on both sides.
- Najuban (羅州盤) Soban made in Naju, Jeolla-do Province. It is among the largest sobans. The rim of the top plate is made separately and attached to the plate to prevent bending. It has a rectangular form. Additional bars between the legs were used to reinforce the fragile structure and prevent bending.
- Gujokban. Of a circular shape, it is also called “Gaedari Soban” because the legs resemble dog legs. It was mainly produced in the “Chungju” area in North Chungcheong Province.
- Majokban. The overall shape of the legs is quite similar to the “Hojokban.” It is called “Majokban” because its legs bend and roll outward, similar to a tiger’s leg. However, in this case, the ends of the legs are known as “horse legs.” They are thicker and characterized by a blunt, sturdy shape.
- Haejuban. It has a rectangular shape. Two boards are erected at both ends instead of the four legs. This engraving (板脚) form is a typical design of “Haejuban.” It was decorated with engravings of thunder and lotus patterns. Haejuban is a type of soban mainly made in Haeju, Hwanghae Province.
- Gangwon Do ban. From Gangwon Province, this small soban has a simple design. It is made by rough-cutting thick plates and was mainly used to serve tea or snacks during the Joseon Dynasty. Another design includes an octagonal top panel with a high rim connected to the legs.
1 – ILJUBAN.
2 – PUNGHYEOL GONGGO.
3 -NAJU BAN.
Originating in the Naju area in the southern part of Jeolla Province, It is a simple and sturdy piece of furniture, preserving the natural grain of the wood without any miscellaneous decorations or fancy carvings. The structure between the legs is carefully constructed to ensure strength. The top plate, upon which the bowl is placed, and the rim are made and attached separately, resulting in a thick rim. This design prevents the top plate from bending, allowing for the creation of relatively large tables. The legs are primarily cylindrical, although there are cases where they are carved into shapes resembling animal legs, such as tiger legs or other animal forms.
4 – GUJOKBAN.
5 –MAJOKBAN.
6 – HAEJUBAN (海州盤).
Unlike typical small tables with four legs, the Haeju table features legs composed of two wide carvings adorned with beautiful openwork decorations. While its external appearance is gorgeous and serves as a decorative element, it has the drawback of being less structurally durable compared to small tables from other regions. The top and rim are crafted from a single piece of wood by hollowing out a thick plate, with the four corners of the rectangle treated with rounded curves. Both the legs and small panels under the top plate are embellished with openwork decorations created by drilling holes in various patterns, including thunder, lotus, bat, arabesque, and swastika motifs.
7 – GANGWON DO BAN.
TONGYEONG BAN.
Soban made and produced in Tongyeong, Gyeongsangnam-do province. Standard dimensions: H. 25 – 28cm, W. 38 – 47cm, D. 28 – 38cm. Originally, the Tongyeong region is a place with a long history of mother-of-pearl lacquerware, and the amazing skill of mother-of-pearl work extends to small tables, boasting of its excellent craftsmanship. The basic form of the Tongyeong ban is a simple rectangular side and a straight cylindrical four legs without any decoration. While it is rectangular, the shape at the four corners do not form angles but are rolled into two soft curves. The materials used for the top panel include zelkova and ginkgo trees, which have beautiful grain patterns. Linden and pine are also used.
CLASSIFICATION BY THEIR SHAPE
HOJOKBAN.
The most popular of these is “hojokban” (tiger leg), which can be of a circular or rectangular form.
DIFFERENCE BETWEEN HOJOKBAN & MAJOKBAN.
The term “hojokban” refers to what Koreans call “tiger legs,” meaning the legs are bent in an S shape, with the ends curled up like the toes of shoes.
“Majokban” refers to a similar leg shape.
However, in this case, the ends of the legs are known as “horse legs.” They are thicker and characterized by a blunt, sturdy shape, as shown in the photo below.
GUJOKBAN
Gujokban (狗足盤). This table is named “Gujokban” because the leg shape of the soban resembles that of a dog’s leg. It was primarily produced in the Chungju area in North Chungcheong province. The overall design is characterized by simplicity, with minimal support under the soban and a footrest under the leg, without any prominent embellishments.
HAEJUBAN (海州盤).
This is a soban made in Haeju, Hwanghae Province. These sobans feature luxurious designs with intricate openwork, and they are supported by two wooden boards on both sides, serving as legs for the table. They are often rectangular in shape.
WONBAN (round table).
BANWOLBAN – HALF MOON SOBAN.
LINK: Soban, Small dining table of the Joseon dynasty.
Design inspired by cultural customs
While the soban is famously known as a dining table from the Joseon Dynasty (1392-1910), the origin of dining tables in Korean history dates back much earlier. Some mural paintings from the Goguryeo period (37 BC – 668 AD) depict utensils that closely resemble a soban. Although their exact form and materials cannot be identified, they share a similar function to the soban of the Joseon Dynasty, serving as a dining table for a sedentary lifestyle, used to hold and consume food indoors.
During the Joseon Dynasty, the soban was typically small in size and low in height, reflecting the dining customs where each individual used their own dining table. This practice stemmed from Confucian influences, maintaining distinct dining habits based on status, gender, and age. Moreover, Joseon houses facilitated a sedentary lifestyle where people commonly sat on ondol (Korean under-floor heating) or directly on the floor. Hence, sobans were designed to be low for comfortable use in such settings.
Within Joseon households, living spaces were often segregated by gender, even within the same house. Dining took place in living rooms rather than designated dining areas, necessitating the transportation of food through yards and main halls. Due to the weight of tableware, typically made from heavy brass or ceramics, sobans were crafted from robust materials like ginkgo or basswood. These woods were chosen for their strength and resistance to splitting, even when fashioned into thin plates.
While most families owned sobans equal in number to their members, affluent families sometimes possessed numerous sobans to accommodate dependents and guests during family gatherings or ancestral worship ceremonies.
This certainly takes me back. I have a couple in Seattle from the old days. I spent 30 years there. Wonderful posting!
Thank you Peter.